Marlene Dietrich blurred all boundaries and checked all of the boxes. In Josef von Sternberg's Morocco (1930) she appeared onstage in a top hat and tails; during a performance she asks a woman for the ...
Pablo Larraín's biographical drama at times echoes Maximilian Schell's unforgettably tense and riveting Marlene Dietrich documentary. A cultural icon rattles around in her Paris apartment, at loose ...
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