Medieval imagery wasn’t meant to be funny when it was made hundreds of years ago, but all over Instagram it has been remixed, captioned, and somehow reads as peak hilarious — depending on your sense ...
Call it art history meets HBO. Towering castles, knights on horseback, wizards in flowing robes and long-necked, roaring dragons fill the Getty Center’s galleries this summer. A new exhibition plumbs ...
Derick Baegert, ‘Crucifixion,’ Dortmund, ca. 1475. Propsteikirche, Dortmund. “Dark Mirror: The Medieval Origins of Anti-Jewish Iconography,” by Sara Lipton, Metropolitan Books, 416 pages, $37 Those ...
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Series: Signa: Papers of the Index of Medieval Art at Princeton University Your institution does not have access to this book on JSTOR. Try searching on JSTOR for other items related to this book.
The question of why, at the turn of the 20th century, modern art flourished in Europe has long been one of art history’s most intriguing. Was it exposure to non-Western influences? The advent of the ...
When he first saw "The Last Supper and the Agony in the Garden" at the Worcester Art Museum in Massachusetts, Jeffrey Forgeng was puzzled by the choreography of the circa-1300, Central Italian fresco, ...
At left: Also cataloged by the Index of Christian Art is "Noah Leaving the Ark," an image from "Chronique Universelle," a manuscript owned by the Morgan Library. The manuscript, possibly Flemish or ...
Created around 1250, the small stained glass panel “God and the Tree of Knowledge” most likely illuminated a cathedral in Troyes, France. To the faithful, its depiction of Christ in the Garden of ...