Chelsea Williamson delivers a masterclass in vocal control, and Noah Mutterperl's commendable tenor has an enviable vocal range. Framing the program for the Sterling Playmakers’ production of The Last ...

The company is beloved because it shows us — viscerally, kinesthetically — who we are as Americans. Long before the words diversity, equity, and inclusion were ever uttered in a single breath, beloved ...

“This show… is complicated, intense, and hysterically funny.” That statement by the play’s director, Scott Olson, gives as good a nutshell description as any I could come up with for what I saw on ...

The voices and acting are terrific in this thoroughly entertaining workplace satire with songs by Dolly Parton. Those of us of a certain age will recall — perhaps with a feeling currently called ...

The show opens with Behar (divorced from her first husband in 1981) taking center stage, script in hand, at a lectern and stand-up microphone, then introducing the show and its stars (through February ...

In these troubling, uncertain times, Ntozake Shange's 'choreopoem' — blending words, music, and dance — feels necessary. 2nd Star Productions’ performance of for colored girls who have considered ...

The show is a solid choice as a family show with a Jewish connection. For a decade, Theatre@CBT at Congregation B’nai Tzedek in Potomac has produced musicals for the enjoyment and edification of ...

'So much is dividing us; we have to find more of what unites us,' says founder Lisa B. Lewis. The multi-abled circus plays the Warner Theatre on February 22. The Omnium Circus made its debut in 2021, ...

Washington Stage Guild's latest production — subtitled 'A Madcap Mystery’ — is a comedic take on the whodunit with heart, humor, and political resistance. In Washington Stage Guild’s latest production ...

Jaclyn Robertson and Nate Eagle as May and Eddie are a powerhouse pair with palpable chemistry and compelling performances. Sam Shepard’s 1983 play Fool for Love is a controversial work that bends the ...

To enter a therapy office is to expect to open yourself up to vulnerability in front of a stranger. To enter a theater and find a therapy office onstage is to expect — perhaps with excited nosiness — ...

Forgetting, the play makes clear, is no solution to antisemitism. Second only, perhaps, to “Never Again,” “Never Forget” are the bywords of Holocaust remembrance. But what if forgetting — deliberately ...