How often do we really examine curatorial contributions – not simply to an exhibition, but to the care and display of ...

Illness meant that we missed the window to publish our usual pick of the week’s arts, design, film and music events from ...

“What would Liverpool be without it?” On the eve of Liverpool Biennial 2025, C James Fagan ponders his sometimes complex, on-going relationship with the UK’s largest festival of contemporary art… It’s ...

The stone simply indicates where his remains are buried. What about his life, identity, choices? His family, his legacy?

In its still short lifespan, gaming has come a long way. It enjoys something approaching a ubiquitous presence, one whose reach extends to impacts social and political, as well as cultural. 2018 saw a ...

Andres Veiel’s Riefenstahl reveals the actor and director was only too pleased to pour her not inconsiderable talents into the Nazi cause… There are moments during Riefenstahl in which you wonder ...

“Opportunities to engage with names other than the movement’s usual suspects are all too rare.” Mike Pinnington on a close encounter with the geometric abstraction of Ding Yi… When we think about ...

To mark their recent smash success with the Big Give appeal, Laura Robertson speaks to Arts Emergency CEO Neil Griffiths about why it’s absolutely essential to keep on advocating for working-class ...

“A feeling, a period, a mood.” Mike Pinnington on Veronica Watson, whose portraits – celebrated in new publication All Together Now – currently adorn the Bluecoat’s upstairs gallery… What does it mean ...

A new exhibition at Tate Liverpool takes as its departure point the docks on which the building stands, before plunging us into the depths and beyond. Mike Pinnington reviews The Plant That Stowed ...

Written and narrated by Jennifer Lee Tsai, Fallen Star is currently on display at the Bluecoat. Part of But Does it Speak?, a season exploring language in a gallery setting, it finds the poet – in a ...